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The 70/30 Japandi Cheat Sheet

The five things a Japanese eye checks before buying anything.

Most "Japandi" advice online was written by people who have never lived with it. I grew up inside this. Here is what I actually look for — on one page. — Sora

1

The Ratio

70% Scandinavian, 30% Japanese. Not 50/50.

Japandi is mostly Scandinavian, quietly corrected by Japan. Keep light wood around 70% and dark wood near 30%. Same for line: about 60% straight, 40% curved. When a room feels off, it is almost always too much of the 30%.

Read: The Japandi Ratio →
2

Strip, Then Add

Subtract the candy. Add the dusk.

Start from a Scandinavian base and remove powder blue, yellow, and pastels. Then add back sumi black, deep green, and the warm light of late afternoon. Japandi is not a color you add — it is two colors you take away.

Read: Strip the Pastels →
3

Orange Is Light, Not Furniture

Never buy an orange chair. Buy an orange glow.

The warmth people love in Japanese rooms is not a terracotta cushion — it is the color of light through paper. Bring orange in as a washi lamp, a candle, a low bulb at dusk. As an object it shouts; as light it settles.

Read: Say Goodbye to the Big Light →
4

Wood Has a Temperature

Pale + round leans Nordic. Dark + square leans Japanese.

You can mix light and dark wood — that is the whole point of Japandi. The trick is shape: keep pale woods soft and rounded, keep dark woods low and squared. Let one wood lead (the 70%) and the other answer (the 30%).

Read: Can You Mix Light and Dark Woods? →
5

Ma Is Not Empty

A gap is a thing you placed, not a thing you forgot.

Ma (間) is intentional space. An empty wall, a bare corner, a pause between two objects — these are part of the design, not a budget you have not spent yet. Before adding one more thing, ask if the silence is already doing the work.

Read: The Art of Ma →

The Real Japandi Palette

These are the colors I actually live with. Not a mood board — a working palette.

Base — air & negative space (70–80% of the room)

Paper #FAFAF7 walls, air, breathing room
Linen #F3F0E8 soft textiles, the quiet middle
Oat #E8E4D8 rugs, ceramics, gentle contrast
Driftwood #C4BFB0 aged wood, stone, the in-between

Ink — the weight, used sparingly

Ink #2C2A24 text, iron, thin lines
Sumi #1A1814 the deepest shadow

Green — the only color, borrowed from nature

Sage #D4DDD0 a breath of plant, almost grey
Moss #5A7A5C a single ceramic, a leaf
Forest #2E4A30 depth, used like punctuation

Wood — a temperature, not a color

Oak #B89B72 the light 70%
Walnut #7A6045 the dark 30%

No powder blue. No mustard. No terracotta. No neon. If a color isn't here, ask whether the room actually needs it.